“Scientism takes many forms. In the humanities, it takes the form of pretending that philosophy, literature, history, music and art can be studied as if they were sciences, with ‘researchers’ compelled to spell out their ‘methodologies’—a pretence which has led to huge quantities of bad academic writing, characterised by bogus theorising, spurious specialisation and the development of pseudo-technical vocabularies. Wittgenstein would have looked upon these developments and wept.”
“The Smith has for a number of years encouraged volunteering as part of our collections cataloguing and research efforts particularly for those interested in a career in the cultural sector. Volunteers are provided with a basic training in all aspects of curatorial work and set tasks, projects and lecturing opportunities, if time permits.” (Continued in Collections Volunteering.)
Caroline Ingham, Senior Designer: Exhibitions, British Museum
Detail of a Bronze reconstruction of around 1920 by George Römer of the Doryphoros or ‘spear-bearer’ by Polykleitos, made around 440–430 BC. H 212 cm. Ludwig-Maximilians-Universität, Munich
Defining beauty: the body in ancient Greek art is the first major temporary exhibition of sculpture at the British Museum since Hadrian: Empire & Conflict in 2008. It is also the first sculpture show in the new Sainsbury Exhibitions Gallery (Room 30). For the Museum’s Exhibitions team this is the culmination of over a year of intensive work with the exhibition’s designers, Caruso St John architects and Matt Bigg, Surface 3 graphics.
Sculptures on display in the exhibition, from left to right: Bronze reconstruction of around 1920 by George Römer of the Doryphoros or ‘spear-bearer’ by Polykleitos, made around 440–430 BC. H 212 cm. Ludwig-Maximilians-Universität, Munich. Marble statue of the Diskobolos or ‘discus-thrower’. Roman copy from 2nd…
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Vieni a scoprire i protagonisti della storia e i più affascinanti simboli della città nel museo più antico al mondo.
(Come to find out the protagonists of history and the most fascinating symbols of the city in the museum oldest in the world.)
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“Published on Mar 6, 2015
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“The bronze sculpture, dated from 350 BC, once graced the halls of the Renaissance-era Palazzo Medici Riccardi in central Florence, and has been described as a masterpiece of Greek classical art.
But after it slipped from the grasp of the Medici clan it began to deteriorate as it found its way into the archaeological museum in 1881 where it is now said to be in serious need to restoration.”